The proof of the garment…

“The proof of the pudding is in the eating;” or in my case, the proof of the garment is in the wearing (in neither case is the proof in the pudding, which many would have you believe). I seized the one semi-warm day last week to try wearing my Vogue 8781 high-waisted skirt out and about. Since winter has made a reappearance around here, I wore the skirt with black knit tights and my Burda blazer. It also prompted a coworker (who’s not very aware of fashion) to ask if I was dressed for a special event– which means that I really need to get going on making (and wearing) a more professional wardrobe. Here it is with a different sweater on top.

Vogue8781skirt_lined_modeled2adj_sm

The proof of the skirt was to see whether it would cling to my tights. I line almost all of my garments, but had skipped this step a) because the pattern didn’t call for it, and b) mostly because I couldn’t figure out how to draft a lining that would attach to the facing, and didn’t want to use the lining in lieu of the facing (since the facing seemed to magically improve the shape of the waist line). I had asked my mom whether the skirt was likely to cling to tights/ nylons, and if I should figure out a way to line it. My mom is staunchly in the anti-lining camp, and assured me the skirt would be fine as it was a fairly thick, stiff fabric. It clung. Within a few steps it was hiked up to mid-thigh and firmly entangled around my legs. I decided to line it.

I used a cream-colored poly lining fabric left over from my Garden Party Dress. I cut out the skirt front and backs (using only pattern weights to hold the pattern pieces down), transferred the dart markings with a tracing wheel and wax paper, and stitched up the darts, side seams, and center back seam. I pushed myself to work quickly (pretending I was on the Great British Sewing Bee, which sadly may be canceled this year), and finished this in about an hour. I then flipped the facing up, shoved the lining in there, and stitched in the ditch of the skirt-facing seam to secure the lining in place. I used a black spool thread and white bobbin thread—you can see that the tension isn’t quite right, but it’ll do to keep the lining in place. Fortunately this seam doesn’t show on the outside.

I then turned under and stitched the lining’s center back seam allowance to the zipper tape at the upper edge, and at the lower edge stitched it to the slit hem. I also stitched the lining hem to the skirt hem (the latter with help from my mom—I think this is partly why she’s anti-lining, since I usually recruit her to help with the hemming!).

Vogue8781skirt_lined_inside_sm

I tried the skirt on with the tights again, and it skimmed right over the them without any clinging whatsoever. Part I of my professional wardrobe is ready to go! Next is contemplating a good color for the coordinating blazer included in the V8781 pattern. Post in the comments if you have any suggestions for a blazer color/ print to go with this black pencil skirt.

Meanwhile, I’ve been making good (but slow) progress on my Burda velvet skirt, and will have lots of pictures to share next week. Til then!

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